by Mohamad Nizam Mohamed Shapie (GM Prof Dr)

Abstract

Tapak, the cornerstone of Silat footwork, embodies the core principles of Seni Gayung Fatani, enabling practitioners to navigate combat scenarios with fluidity, efficiency, and precision. In this active paradigm, practitioners seamlessly transition between offensive and defensive maneuvers, maximizing effectiveness while conserving energy. Grounding and stability form the foundation of tapak, empowering practitioners to withstand external forces, generate power in strikes, and maintain control of engagements. Rhythmic coordination sharpens practitioners’ focus, timing, and reflexes, enhancing their ability to dictate the pace and tempo of combat. Through dedicated practice and mastery of tapak, practitioners not only unlock the secrets of Silat footwork but also cultivate physical prowess, mental resilience, and spiritual awareness, embodying the essence of Seni Gayung Fatani.

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Tapak, or footwork, serves as the cornerstone upon which the entire edifice of Silat rests. In Seni Gayung Fatani, tapak encompasses a wide array of movements, stances, and stepping patterns designed to facilitate mobility, balance, and agility in combat situations (Anuar, 1992; 2002; 2007). Unlike other martial arts where footwork may be viewed as merely a means of transportation, tapak in Silat is imbued with deeper significance—it reflects the practitioner’s mastery over body mechanics, spatial awareness, and tactical acumen.

The Principles of Tapak in Seni Gayung Fatani

At its core, tapak in Seni Gayung Fatani is guided by several key principles that govern its execution and efficacy:

1. Fluidity and Adaptability: Tapak movements in Seni Gayung Fatani emphasize fluidity and adaptability, enabling practitioners to seamlessly transition between offensive and defensive manoeuvres. This fluidity is essential for maintaining balance and control in dynamic combat scenarios, where split-second decisions can mean the difference between victory and defeat (Shapie et al., 2022).

2. Economy of Motion: Efficiency is paramount in Silat, and tapak is no exception. Every movement in Seni Gayung Fatani tapak is purposeful and economical, maximizing the practitioner’s effectiveness while conserving energy. By minimizing unnecessary motions and telegraphing, practitioners are able to execute techniques with precision and speed, catching opponents off guard and gaining the upper hand in combat (Shapie, 2020).

3. Grounding and Stability: A strong foundation is essential for effective Silat footwork, and tapak techniques in Seni Gayung Fatani prioritize grounding and stability. By maintaining a low centre of gravity and proper alignment, practitioners are able to withstand external forces, resist takedowns, and generate power in their strikes. This grounding also enables practitioners to swiftly change direction and evade incoming attacks, remaining elusive and unpredictable in combat (Shapie & Elias, 2015; Shapie et al., 2015).

4. Rhythmic Coordination: Tapak in Seni Gayung Fatani is characterized by rhythmic coordination of foot movements, hand techniques, and body positioning. This rhythmic coordination not only enhances the fluidity and flow of Silat movements but also serves as a form of mental conditioning, sharpening the practitioner’s focus, timing, and reflexes. By synchronizing their actions with the rhythm of combat, practitioners are able to maintain control over the pace and tempo of the fight, dictating the course of engagement to their advantage (Shapie et al., 2016).

Practical Applications of Tapak in Seni Gayung Fatani

In the context of Seni Silat Malaysia, tapak techniques are integrated into a comprehensive system of combat training, encompassing both armed and unarmed scenarios. Practical applications of tapak in Seni Gayung Fatani include:

1. Entry and Exit Strategies: Tapak techniques are used to navigate the space between oneself and an opponent, allowing practitioners to close the distance for an attack or create distance to evade an incoming strike. By mastering entry and exit strategies, practitioners are able to control the engagement, dictating when and where the confrontation takes place.

2. Offensive Manoeuvres: Tapak serves as the launching pad for a variety of offensive manoeuvres in Seni Gayung Fatani, including strikes, kicks, and takedowns. By leveraging the momentum generated through footwork, practitioners can deliver powerful and precise attacks, overwhelming opponents with a flurry of blows while maintaining their balance and stability.

3. Defensive Tactics: Tapak techniques are equally important for defence, enabling practitioners to evade, deflect, or neutralize incoming attacks. Whether sidestepping a punch, parrying a kick, or clinching to smother an opponent’s offense, tapak provides practitioners with the mobility and agility needed to stay one step ahead of their adversaries.

4. Counters and Reversals: Tapak in Seni Gayung Fatani empowers practitioners to counter and reverse the momentum of a fight, turning an opponent’s aggression against them. Through strategic footwork and body positioning, practitioners can disrupt an opponent’s balance, exploit openings in their defence, and seize control of the engagement, ultimately dictating the outcome of the confrontation.

 

Mastering Tapak: The Path to Silat Excellence

In Seni Gayung Fatani, mastery of tapak is not merely a technical skill—it is a journey of self-discovery, discipline, and personal growth. Through dedicated practice, practitioners develop not only physical proficiency but also mental fortitude, emotional resilience, and spiritual awareness (Shapie, 2021). By embodying the principles of tapak in their daily lives, practitioners of Seni Gayung Fatani cultivate a holistic understanding of Silat as not just a martial art, but a way of life (Anuar, 2007).

In conclusion, tapak stands as a cornerstone of Silat footwork in Seni Gayung Fatani, embodying the art’s core principles of fluidity, efficiency, grounding, and rhythmic coordination. Through its practical applications in combat scenarios, tapak empowers practitioners to navigate the complexities of confrontation with confidence, skill, and grace. As practitioners embark on the journey of mastering tapak, they unlock not only the secrets of Silat footwork but also the limitless potential within themselves.

References

Anuar, A.W. (1992). Teknik dalam Seni Silat Melayu (Technique in Malay Silat). Kuala Lumpur: Dewan Bahasa dan Pustaka [in Malay].

Anuar A.W. (2002), Pendidikan dan Nilai-nilai Murni dalam Seni Silat (Education and Noble Values in Martial Arts) [in:] Ministry of Culture, Art and Heritage, Manual jurulatih dan ringkasan mengajar (Instructor manual and summary of coaching), Tahap 1, Seni Silat Malaysia Untuk Jurulatih (First level, Seni Silat Malaysia for coaches), Paperwork, Ministry of Culture, Art and Heritage, Kuala Lumpur [in Malay].

Anuar, A.W. (2007), Silat: The development history of traditional Malay silat and development of modern Silat Malaysia curriculum (Silat: Sejarah perkembangan kurikulum silat Melayu tradisi dan pembentukan kurikulum Silat Malaysia moden), Hizi Print Sdn Bhd, Bandar Baru Bangi, Selangor [in Malay].

Shapie, M.N.M. (2020). Sports Science in SILAT: Application of Sports Science in Silat Training and Performance. Pertubuhan Seni Gayung Fatani Malaysia. Shah Alam, Selangor, Malaysia. (ISBN: 9789834407629)

Shapie, M.N.M. (2021). The Warrior Attitude (Sikap Pendekar) in Malay Silat Encouraging Malaysian Interest in Global Martial Arts and Combat Sports. In “Southeast Asian Martial Arts: A Unique and Complex Cultural Phenomenon,” Ryu, S., Lee, K. & Hwang, J. (eds); p. 26-95. Chungcheongbuk-do, Korea: International Centre of Martial Arts for Youth Development and Engagement under the auspices of UNESCO [ICM]: Chungju-si, Korea.

Shapie, M.N.M. and Elias, M.S. (2015). Seni Silat Malaysia: The Malay Arts of Self-Defence. In: Kalina RM (ed.) Proceedings of the 1st World Congress on Health and Martial Arts in Interdisciplinary Approach, HMA 2015, 17–19 September 2015, Czestochowa, Poland; ; 2015. p. 213 Warsaw: Archives of Budo. (ISSN 2450-2650).

Shapie, M.N.M., Elias, M.S., Ismail, S. and Hamid, N.A. (2015). Sumbangan Kurikulum Seni Silat Malaysia kepada Warisan dan Tamadun Melayu (Seni Silat Malaysia Curriculum contribution to Heritage and Malay civilization). In “e-Proceedings of the International Conference of Malay Heritage and Civilization (ICOMHAC), 16-17 Disember 2015, Century Helang Hotel, Pulau Langkawi,” Ibrahim S, Salamat ASA., and Zamhury N (eds.); p. 381-404. Langkawi: Universiti Teknologi MARA Cawangan Kedah, Malaysia.

Shapie, M.N.M., Elias, M.S., Anuar, A. (2016). Silat: The Heritage of Malaysia (Silat: Warisan Bangsa Malaysia). The National Department for Culture and Arts, Ministry of Tourism and Culture, Kuala Lumpur, Malaysia [in Malay].

Shapie, M. N.M., Al-Syurgawi, D., Samsudin, H., Nazri, S. M., & Nawai, N. S. (2022). The Physical Performance Needs in Silat Olahraga: A Coaching Perspective to Establish Plyometric Training in Silat Combat Sport. Jurnal Performa Olahraga, 7(2), 90–97. https://doi.org/10.24036/jpo363019

Disclaimer: This article is Copyright Protected by the Pertubuhan Seni Gayung Fatani Malaysia (PSGFM), Reg. No. PPM-033-10-14032013. Any unauthorized copying will be subject to legal action.

Written by PemegangAmanah

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